AL: My work integrates animation, music, and performance to tell stories about evolutionary and developmental (Evo Devo) biology. I consider myself an Evo Devo artist.
My performance Theory of Flight begins as a biology lecture with scientist Alida Kear describing the developmental mechanisms of wing growth. The lecture goes quickly awry, though, when Alida reveals a feather she has grown on her own arm through the successful co-option of avian genes. It becomes clear that Alida’s interest in biological flight is rooted not only in scientific investigation, but also in a deeply personal quest for flight. The episodes of biology lecture, featuring increasingly extreme experiments, are punctuated by dream-like interludes that combine music performed by a singing bird spirit and a look into a cellular world animated with simple materials—yarn becomes DNA, lace and buttons become proteins.
Evo Devo stories appear throughout Theory of Flight. The lecture delves into the genetic mechanisms of feather development, evolutionary theories of flight, and ultimately, investigations into regenerative limbs and transgenics.I like the way Anna talks about her work. She says:
I never felt inhibited by the facts that science provides us with; to me they are the richest treasure trove of source material. Beauty, absurdity, poignancy, whimsy—all of the sensations I hope to craft as an artist have already had some masterful manifestation in nature, and science is a profound way of understanding these manifestations.Very inspiring! Read the whole interview here.