Monday, 21 June 2010

Let's Get Liminal! Scientific Art & Artistic Science, June 30th

 Mer de Glace, EMMA STIBBON
What happens in that space where science meets art and art meets science? Come along to this half-day seminar to have a look at what's going on and what will be happening, both at Bristol University and outside. Speakers will be showing films of mathematicians and scientists talking about how they do what they do, beautiful scientific images, an artistic collaboration between a glaciologist and an artist, a course on creativity for medical students and more...


We are delighted to welcome special guests Oron Catts, director of SymbioticA, Australia's artistic laboratory dedicated to the research, learning, critique and hands-on engagement with the life sciences, and UK-based artist Kira O'Reilly, a former SymbioticA artist-in-residence. Scroll down for more information about the speakers. 

When: Wed June 30th 2010, from 2-6pm, including drinks & nibbles, 
FREE EVENT
Where: NSQI Centre, Tyndall Avenue (opposite the Arts and Social Sciences Library)

What's Happening:  
2.00 - 2.10 Welcome: Tania Hershman, Science Faculty Writer in Residence 
2.10 - 2.25 Maggie Leggett, Director, Centre for Public Engagement, 2011 Changing Perspectives exhibition 
2.25 - 2.45 Professor Jon Keating, Dean of the Science Faculty, Chrystal Cherniwchan, Science Faculty films and portraits 
2.45 - 3.15 Dr Louise Younie, Catherine Lamont-Robinson, Out of Our Heads, creativity for medical students 
3.15 - 3.30 Becky Jones, organiser, The Art of Science Competition 
3.30 - 3.50 Dr Giles Brown (glaciologist) and his artistic collaborator Emma Stibbon 
3.50 - 4.00 BREAK 
4.00 - 4.20 Kira O'Reilly, artist, SymbioticA residency 
4.20 - 5.05 Oron Catts, director, SymbioticA, art and science collaborative research lab 
5.05 - 6pm Drinks & nibbles

Speakers:

Tania Hershman is fiction-writer-in-residence in Bristol University's Science Faculty. Find out more at www.taniahershman.com.

Maggie Leggett: Head of Department, Centre for Public Engagement. Maggie will be introducing Changing Perspectives, an exhibition planned for Spring 2011 which seeks to engage and alter the perspectives of a wide range of people though art inspired by science – life, physical and social science - produced by artists in collaboration with University of Bristol staff and students.

Professor Jon Keating is Dean of the Faculty of Science and Professor of Mathematical Physics.

Chrystal Cherniwchan studied photography at the Alberta College of Art & Design, in Canada. After completing her BFA, she spent several years assisting and developing her own documentary practice. Chrystal is now based in the UK, and is currently working on a series of short documentary films and portraits, profiling mathematicians and scientists at the University of Bristol. www.chrystalcherniwchan.com
 
Dr Louise Younie is aGP and teaching fellow at Bristol University's Medical School. she also delivers a 2nd year taught SSC "Exploring the creative arts in health and illness". This involves co-facilitation with artists and creative therapists where the students engage in dialogue, reflection and their own creative work. Creativity and the arts in medical education was also the topic of her MSc dissertation. 

Catherine Lamont-Robinson is an artist and curator of Out of Our Heads, a project by students and staff of University of Bristol Medical school to showcase creative work. It is often said that medicine is both Art and Science. In the modern medical curriculum there is a goodly amount of science. But what about the Art? What is it, is it important and should it be part of the curriculum?

Becky Jones is a PhD student in the Department of Biochemistry and the organiser of The Art of Science, a competition in the Faculty of Medical and Veterinary Sciences in collaboration with @Bristol. The challenge, open to postgraduates across the faculty, was to represent scientific research in all its aesthetic beauty.
 
Dr Giles Brown is a glaciologist in the University's School of Geographical Studies, focussing on glacier meltwater hydrochemistry, chemical weathering processes and rate in mountain/cold environments; snow chemistry; glacier and snow hydrology. He collaborated with artist Emma Stibbon: The emphasis of Stibbon’s research is on the relationship between the mutability of place and the process of drawing.Exploring the temporal qualities of a glacier through drawing. An artist working primarily on paper, she has established her reputation through a wide exhibition profile and a series of residencies and awards.

Kira O’Reilly is a UK based artist; her practice, both wilfully interdisplinary and entirely undisciplined, stems from a visual art background; it employs performance, biotechnical practices and writing with which to consider speculative reconfigurations of bodies.

Since graduating from the University of Wales Institute Cardiff in 1998 with a BA (HONS) in Fine Art, her performance works have been exhibited widely throughout the UK, Europe, Australia, China and Mexico.

In October 2004 she completed an artist residency at SymbioticA, School of Anatomy and Human Biology, University of Western Australia, funded by a Wellcome Trust sciart research and development award. She was concerned with exploring convergence between contemporary biotechnical tissue culturing and traditional lace making crafts, using the materiality of skin at its cellular level as material and metaphor. She has continued and expanded these investigations as artist in residence in the School of Biosciences, University of Birmingham, funded by Arts Council of England and Wellcome Trust where she is investigating using spider silk and bone, muscle and nerve cell cultures as biomedia, and the relations between tissue, text and textile Рas variants on the theme of techné with writing outcomes.

In 2009 new works included falling sleep with a pig (2009) commissioned by The Arts Catalyst for INTERSPECIES. She presented Stair Falling (2009) exhibited as part of Marina Abramovic Presents . . . at Manchester International Festival. Her work inthewrongplaceness (2005 – 2009) was curated by Jens Hauser in the highly successful sk-interfaces, Creating Membranes in Art, Technology and Society, at Casino Luxembourg.

In autumn 2010 she beings an AHRC funded three year creative fellowship at Department of Drama, Queen Mary University of London; Thresholds of Performance: Between Body, Laboratory and Text.

Oron Catts is director of SymbioticA, an artistic laboratory dedicated to the research, learning, critique and hands-on engagement with the life sciences. SymbioticA’s emphasis is on experiential practice. SymbioticA facilitates a thriving program of residencies, research, academic courses, exhibitions, symposiums, and workshops. Researchers and students from all disciplines work on individual projects or in interdisciplinary teams to explore the shifting relations and perceptions of life.

As a research centre within the School of Anatomy and Human Biology at The University of Western Australia, SymbioticA enables direct and visceral engagement with scientific techniques. Crossing the disciplines of art and the life sciences, SymbioticA encourages better understanding and articulation of cultural ideas around scientific knowledge and informed critique of the ethical and cultural issues of life manipulation.

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